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The Big Muffin Serious Band (BMSB) is a ukulele-based music performance group from Hamilton, New Zealand. It was started in 1983 by Jim Fulton, Graeme Cairns and Ian Coldham-Fussell when all three were members of a Project Employment Program (PEP) scheme. These schemes were initiatives instigated by the then National Government to undertake public works and provide vocational experience for the unemployed.〔Vanderpyl, J. ''Aspiring for unity and equality: Dynamics of conflict and change in the "by women for women" feminist service groups, Aotearoa/New Zealand'', 2004.()〕 This specific PEP scheme was run by the Hamilton City Council and involved creating performances and art in public spaces and schools. The group has long been connected with the McGillicuddy Serious Party (McGSP),〔( Webster's Online Dictionary, ''McGillicuddy Serious Party'' )〕 of which Cairns was the leader〔(Radio New Zealand, "Spectrum", 27 March 2011 )〕 and a founding member, and some members of the BMSB have also stood as candidates in various elections under the McGSP banner. The BMSB played instruments and incorporated musical styles which are found in the bush band and skiffle traditions, but the theatrical background of members contributed to a more visual and humorous street performance style than would normally be associated with these folk/blues music genres. The original line-up involved tea-chest bass, ukuleles, junk instruments and children's toys. The snare drum was added in 1986. This instrumental line-up has remained unchanged to the present. The music played was/is generally ironic or humorous, and the group employed tight vocal arrangements. ==History== During the mid-1980s the BMSB was primarily a busking band,〔Otago Daily Times. (30 July 1986). p. 12〕〔Trought, K. (21 January 1988). '' Fire eating, mime and music entertain''. Marlborough Express, n.p〕 having won the Battle of the Buskers in May 1986 at the Gluepot Tavern,〔Smith, L. (September, 1986). ''North & South Magazine''. p. 81〕〔Scott, G. (7 May 1986). New Zealand Herald. section 1, p. 3〕 and touring New Zealand at irregular intervals.〔Wellington Evening Post. (26 November 1986). ''Muffins serve up unusual earful'', p. 3〕〔Millar, C. (27 October 1986). Auckland Star. n.p〕〔The Daily Telegraph (Napier), (4 July 1987). ''Madcap music in church'', p. 9〕 At this time Peter Caldwell replaced the late Coldham-Fussell and with the addition of a 'bottler', who was employed solely to take the hat among the audience but whose role rapidly expanded to include clown-like interpretive go-go dancing, the BMSB achieved a high degree of proficiency and were among New Zealand's top earning buskers.〔( Archer, J., ''NZ Folk Song'', 2011 )〕 In 1986 and 1987 the band moved into mainstream performance venues with tours of New Zealand tertiary campuses and folk music clubs. The campus tours were organised under the auspices of the (New Zealand Students' Arts Council ). At this time the band consisted of Fulton, Cairns, Caldwell and the Naughty See Monkey, and it was this line-up that recorded the band's first album, ''Jabberwocky Goes to Town'' in 1987. It was recorded over the period of a week at Aerial Railway Studios, on the Coromandel Peninsula. The resulting album was one of the last vinyl albums to be made in New Zealand at the Wellington EMI record pressing factory.〔The National Library of New Zealand, '' The History of Recording in New Zealand'' n.d.()〕 In 1988 Caldwell and the Naughty See Monkey left the band, signalling the end of a performance era.〔Floyd, K. (23 January 1988). ''Muffins musical era over''. Waikato Times, p. 5〕 Cairns and Fulton continued to perform as a duo, with Van Wering and Kendall joining in late 1988. In 1989 Fulton and Cairns, joined by Galloway and Forbes, performed in London and Bath in the UK. Upon their return to New Zealand the band reformed as a five piece, with Howell and Matich joining as the other musicians, and Kendall continuing in the role of go-go dancer. The band once again undertook tours of New Zealand clubs〔McKee, A. (9 January 1992). The Oamaru Mail. p 1〕〔Hatch, A. (11 January 1992). ''Variety is band's spice of life.'' The Timaru Herald. p. 1〕 and music festivals〔The (Christchurch) Press. (15 January 1991). ''Thousands enjoy music festival.'' n.p〕〔McClatchy, V. (13 January 1992). ''Weather and Whitecliffs warm up over weekend.'' p.9〕 as main acts. In 1994, after the departure of Howell, the four remaining members undertook a year-long tour of New Zealand schools with their multimedia shadow puppet show, "The Eggplant that ate Otago".〔Katikati Advertiser. (21 June 1994). ''Antics of theatrical band terrorise school audience.'' p. 9〕 Galbraith joined the band in 1997, and the line-up stabilised in 2004 when Clothier joined as the dedicated singer. During the 2000s the band explored various theatrical, musical and artistic projects. Cairns and Fulton were responsible for the iconic Te Pahu toothbrush fence,〔(''A toothbrush fence. What next?'' )〕 which came to prominence when mentioned on the episode of Flight of the Concords ''Bret Gives Up the Dream'', and the Helen Clark Celebrity Bus Shelter, named after former New Zealand Prime Minister Helen Clark who was also a (Te Pahu ) local. Performance initiatives included performing entire shows on stilts〔Mercer, B. (27 January 2003). ''Pulling strings.'' Waikato Times. p. 8〕 and developing a variety of musical workshops,〔Slattery, E. (10 June 1991). ''Listen to the rhythm of the falling things.'' Waikato Times. p. 1〕 including edible instruments, home-made instruments, and the most recent featuring band members dressed with ukulele chords〔( ''Underneath the bunker.'' (2011) Video )〕 for the mass teaching of ukulele. In May 2008 Cairns and Fulton performed in Taupo with the Wellington International Ukulele Orchestra, and the following year the BMSB performed at the New Zealand Ukulele Festival with international acts such as Azo Bell and the Old Spice Boys, Uni and her Ukulele, and Sione Aleki.〔(Scoop. (21 October 2008). ''Counting down to Ukestock'' )〕 The BMSB have organised several experimental performances in the Waikato to accommodate these international and local acts as they tour.〔Lewis, G. (12 November 2008). ''Hamilton hosts ukuleles''. Hamilton Press.p. 4〕〔Taylor, D. (27 November 2008). ''Experiment a success''. Te Awamutu Courier. p. 7〕 In 2009 Cairns, Fulton and Galbraith formed Goulash Archipelago, to play original Eastern European-style ukulele and dance music. The group and the performance concept is based around their fictitious trip to the imaginary State of Ukestan. In 2010 this group provided dance music for the Folk Dance New Zealand National Festival.〔(Folk Dance New Zealand, "National Festival Program", June 2010 )〕 Also in this year the BMSB was involved in a highly successful collaboration〔Taylor, D. (15 June 2010 ). ''Come to the HamilTron bluegrass Muffin show.'' Te Awamutu Courier. p. 21〕 with robotic group The Trons and the legendary Hamilton County Bluegrass Band. Since 2012 the band have almost exclusively performed live and on recordings using ukuleles and other stringed instruments made by Galbraith, who is a professional instrument maker in his own right who uses native New Zealand timbers in construction of his ukuleles and basses. He operates under the name of (''Captain Ukuleles'' ) Happening concurrently with the BMSB, from 1999 onwards, Fulton, Cairns and Galbraith created and ran the ''Serious Ukulele Ensemble'', a group with fluid membership which records and performs ukulele instrumental music.〔Blaazer, D. (Dec., 2002) New Zealand Musician Magazine. Reviews: ''The Serious Ukulele Ensemble'' ()〕 Cairns and Fulton, along with two long-term members of the Serious Ukulele Ensemble, Paula Hudson and Martin Dew, performed as invited guests at the Paris Ukulele Hui in September 2010.〔(UOGBfrogsfans.(13 September 2010). Ukulele hui et kiwis a Paris )〕 The BMSB featured on (''Bill Sevesi's Dream'' ), a TVNZ documentary about the ukulele in New Zealand, broadcast in January 2011.〔Blechynden, K. (11 January 2011). ''Not just a little guitar'', Dominion Post.()〕 Clothier left the band in early 2012, after they had a standout performance as guest performers at the Auckland Folk Festival. He was replaced by James Sutherland. This meant that coincidentally for the first time ever all four members and part-time drummer Paul Tregilgas, live in the same small rural community west of Hamilton, Te Pahu, within a 1.5 km radius. In February 2013, with Sutherland having assumed a lead vocal position, the band performed alongside Canadian ukulele virtuoso James Hill, and the Wellington International Ukulele Orchestra,〔(Bradley, P. ( 18 February 2013). ''Here come the ukulele stars.'' Waikato Times )〕 and in March 2013 the band featured at the (Melbourne Ukulele Festival ), performing shows incorporating Melbourne-based exMuffins Steve Matich, Naughty See Monkey, and Adam Fulton. The year 2013 also saw the 30th anniversary of the first BMSB performance. This was marked primarily with an exhibition at the Waikato Museum, from August 2013 to January 2014, entitled ''(30 Years of the Big Muffin Serious Band )''. The exhibition of BMSB memorabilia, images and audio-visual material was opened on 31 August with a performance by many ex-members of the band accompanying present members.〔(Mather, M. ( 31 August 2013). ''Madcap ukulele-based skiffle band going strong''. Waikato Times. )〕 With the help of Arts Council funding (Creative Communities Scheme), the band also produced a music video, (Mr T. Pot ), celebrating 30 years of performance and featuring the majority of past band members in cameo roles. The anniversary celebrations were capped by a retrospective performance in the Hamilton Fringe Festival in October, 2013. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Big Muffin Serious Band」の詳細全文を読む スポンサード リンク
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